Internaldialogue is the manifestation of this in fiction. And because it presents the most intimate thoughts and realities of your characters, it is beyond elemental: Internal dialogue is the marrow of your story. For inexperienced writers, internal dialogue can be confusing, because a character's inner voice can take endless forms. Soal ini menanyakan di mana percakapan itu terjadi? Untuk mengetahui tempat percakapan itu terjadi maka dapat ditentukan berdasarkan penggalan isi dialog berikut Billy Yes, I am. Are you waiting for the train? Ya, benar. Apakah kamu menunggu kereta Ella Yes, I am. Are you? Ya, benar. Apakah kamu? Billy Yeah, me too. Oh there, that is my train. I have to go. Nice to meet you, Ella.Ya saya juga. Oh di sana, itu kereta api saya. Saya harus pergi. Senang bertemu denganmu, Ella Berdasarkan penggalan isi dialog tersebut maka dapat disimpulkan bahwa percakapan terjad di stasiun kereta api railway station. Jadi, jawaban yang benar adalah "The dialogue happens in a railway station".
Thusin the story of the good layman Citta, it is an aspiration expressed on the deathbed; 2 in the dialogue on the subject, it is a thought dwelt on during life, 3 in the numerous stories in the Peta and Vimana V atthus it is usually some isolated act, in the discussions in the Dhamma Sangani it is some mental disposition, which is the Karma (doing or action) in the one life determining the
Dialogue Definition What is dialogue? Here’s a quick and simple definition Dialogue is the exchange of spoken words between two or more characters in a book, play, or other written work. In prose writing, lines of dialogue are typically identified by the use of quotation marks and a dialogue tag, such as "she said." In plays, lines of dialogue are preceded by the name of the person speaking. Here's a bit of dialogue from Alice's Adventures in Wonderland "Oh, you can't help that,' said the Cat 'we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be,' said the Cat, 'or you wouldn't have come here." Some additional key details about dialogue Dialogue is defined in contrast to monologue, when only one person is speaking. Dialogue is often critical for moving the plot of a story forward, and can be a great way of conveying key information about characters and the plot. Dialogue is also a specific and ancient genre of writing, which often takes the form of a philosophical investigation carried out by two people in conversation, as in the works of Plato. This entry, however, deals with dialogue as a narrative element, not as a genre. How to Pronounce Dialogue Here's how to pronounce dialogue dye-uh-log Dialogue in Depth Dialogue is used in all forms of writing, from novels to news articles to plays—and even in some poetry. It's a useful tool for exposition conveying the key details and background information of a story as well as characterization fleshing out characters to make them seem lifelike and unique. Dialogue as an Expository Tool Dialogue is often a crucial expository tool for writers—which is just another way of saying that dialogue can help convey important information to the reader about the characters or the plot without requiring the narrator to state the information directly. For instance In a book with a first person narrator, the narrator might identify themselves outright as in Kazuo Ishiguro's Never Let Me Go, which begins "My name is Kathy H. I am thirty-one years old, and I've been a carer now for over eleven years.". But if the narrator doesn't identify themselves by stating their name and age directly, dialogue can be a useful tool for finding out important things about the narrator. For instance, in The Great Gatsby, the reader learns the name of the narrator Nick through the following line of dialogue Tom Buchanan, who had been hovering restlessly about the room, stopped and rested his hand on my shoulder. "What you doing, Nick?” The above example is just one scenario in which important information might be conveyed indirectly through dialogue, allowing writers to show rather than tell their readers the most important details of the plot. Expository Dialogue in Plays and Films Dialogue is an especially important tool for playwrights and screenwriters, because most plays and films rely primarily on a combination of visual storytelling and dialogue to introduce the world of the story and its characters. In plays especially, the most basic information like time of day often needs to be conveyed through dialogue, as in the following exchange from Romeo and Juliet BENVOLIO Good-morrow, cousin. ROMEO Is the day so young? BENVOLIO But new struck nine. ROMEO Ay me! sad hours seem long. Here you can see that what in prose writing might have been conveyed with a simple introductory clause like "Early the next morning..." instead has to be conveyed through dialogue. Dialogue as a Tool for Characterization In all forms of writing, dialogue can help writers flesh out their characters to make them more lifelike, and give readers a stronger sense of who each character is and where they come from. This can be achieved using a combination of Colloquialisms and slang Colloquialism is the use of informal words or phrases in writing or speech. This can be used in dialogue to establish that a character is from a particular time, place, or class background. Similarly, slang can be used to associate a character with a particular social group or age group. The form the dialogue takes for instance, multiple books have now been written in the form of text messages between characters—a form which immediately gives readers some hint as to the demographic of the characters in the "dialogue." The subject matter This is the obvious one. What characters talk about can tell readers more about them than how the characters speak. What characters talk about reveals their fears and desires, their virtues and vices, their strengths and their flaws. For example, in Pride and Prejudice, Jane Austen's narrator uses dialogue to introduce Mrs. and Mr. Bennet, their relationship, and their differing attitudes towards arranging marriages for their daughters "A single man of large fortune; four or five thousand a year. What a fine thing for our girls!” “How so? How can it affect them?” “My dear Mr. Bennet,” replied his wife, “how can you be so tiresome! You must know that I am thinking of his marrying one of them.” “Is that his design in settling here?” “Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes.” This conversation is an example of the use of dialogue as a tool of characterization, showing readers—without explaining it directly—that Mrs. Bennet is preoccupied with arranging marriages for her daughters, and that Mr. Bennet has a deadpan sense of humor and enjoys teasing his wife. Recognizing Dialogue in Different Types of Writing It's important to note that how a writer uses dialogue changes depending on the form in which they're writing, so it's useful to have a basic understanding of the form dialogue takes in prose writing fiction and nonfiction versus the form it takes in plays and screenplays—as well as the different functions it can serve in each. We'll cover that in greater depth in the sections that follow. Dialogue in Prose In prose writing, which includes fiction and nonfiction, there are certain grammatical and stylistic conventions governing the use of dialogue within a text. We won't cover all of them in detail here we'll skip over the placement of commas and such, but here are some of the basic rules for organizing dialogue in prose Punctuation Generally speaking, lines of dialogue are encased in double quotation marks "such as this," but they may also be encased in single quotation marks, 'such as this.' However, single quotation marks are generally reserved for quotations within a quotation, "Even when I dared him he said 'No way,' so I dropped the subject." Dialogue tags Dialogue tags such as "he asked" or "she said" are used to attribute a line of dialogue to a specific speaker. They can be placed before or after a line of dialogue, or even in the middle of a sentence, but some lines of dialogue don't have any tags at all because it's already clear who is speaking. Here are a few examples of lines of dialogue with dialogue tags "Where did you go?" she asked. I said, "Leave me alone." "Answer my question," said Monica, "or I'm leaving." Line breaks Lines of dialogue spoken by different speakers are generally separated by line breaks. This is helpful for determining who is speaking when dialogue tags have been omitted. Of course, some writers ignore these conventions entirely, choosing instead to italicize lines of dialogue, for example, or not to use quotation marks, leaving lines of dialogue undifferentiated from other text except for the occasional use of a dialogue tag. Writers that use nonstandard ways of conveying dialogue, however, usually do so in a consistent way, so it's not hard to figure out when someone is speaking, even if it doesn't look like normal dialogue. Indirect vs. Direct Dialogue In prose, there are two main ways for writers to convey the content of a conversation between two characters directly, and indirectly. Here's an overview of the difference between direct and indirect dialogue Indirect Dialogue In prose, dialogue is often summarized without using any direct quotations as in "He told her he was having an affair, and she replied callously that she didn't love him anymore, at which point they parted ways". When dialogue is summarized in this way, it is called "indirect dialogue." It's useful when the writer wants the reader to understand that a conversation has taken place, and to get the gist of what each person said, but doesn't feel that it's necessary to convey what each person said word-for-word. This type of dialogue can often help lend credibility or verisimilitude to dialogue in a story narrated in the first-person, since it's unlikely that a real person would remember every line of dialogue that they had overheard or spoken. Direct Dialogue This is what most people are referring to when they talk about dialogue. In contrast to indirect dialogue, direct dialogue is when two people are speaking and their words are in quotations. Of these two types of dialogue, direct dialogue is the only one that counts as dialogue strictly speaking. Indirect dialogue, by contrast, is technically considered to be part of a story's narration. A Note on Dialogue Tags and "Said Bookisms" It is pretty common for writers to use verbs other than "said" and "asked" to attribute a line of dialogue to a speaker in a text. For instance, it's perfectly acceptable for someone to write Robert was beginning to get worried. "Hurry!" he shouted. "I am hurrying," Nick replied. However, depending on how it's done, substituting different verbs for "said" can be quite distracting, since it shifts the reader's attention away from the dialogue and onto the dialogue tag itself. Here's an example where the use of non-standard dialogue tags begins to feel a bit clumsy Helen was thrilled. "Nice to meet you," she beamed. "Nice to meet you, too," Wendy chimed. Dialogue tags that use verbs other than the standard set which is generally thought to include "said," "asked," "replied," and "shouted" are known as "said bookisms," and are generally ill-advised. But these "bookisms" can be easily avoided by using adverbs or simple descriptions in conjunction with one of the more standard dialogue tags, as in Helen was thrilled. "Nice to meet you," she said, beaming. "Nice to meet you, too," Wendy replied brightly. In the earlier version, the irregular verbs or "said bookisms" draw attention to themselves, distracting the reader from the dialogue. By comparison, this second version reads much more smoothly. Dialogue in Plays Dialogue in plays and screenplays is easy to identify because, aside from the stage directions, dialogue is the only thing a play is made of. Here's a quick rundown of the basic rules governing dialogue in plays Names Every line of dialogue is preceded by the name of the person speaking. Adverbs and stage directions Sometimes an adverb or stage direction will be inserted in brackets or parentheses between the name of the speaker and the line of dialogue to specify how it should be read, as in Mama outraged What kind of way is that to talk about your brother? Line breaks Each time someone new begins speaking, just as in prose, the new line of dialogue is separated from the previous one by a line break. Rolling all that together, here's an example of what dialogue looks like in plays, from Edward Albee's Zoo Story JERRY And what is that cross street there; that one, to the right? PETER That? Oh, that's Seventy-fourth Street. JERRY And the zoo is around Sixty-5th Street; so, I've been walking north. PETER [anxious to get back to his reading] Yes; it would seem so. JERRY Good old north. PETER [lightly, by reflex] Ha, ha. Dialogue Examples The following examples are taken from all types of literature, from ancient philosophical texts to contemporary novels, showing that dialogue has always been an integral feature of many different types of writing. Dialogue in Shakespeare's Othello In this scene from Othello, the dialogue serves an expository purpose, as the messenger enters to deliver news about the unfolding military campaign by the Ottomites against the city of Rhodes. First Officer Here is more news. Enter a Messenger Messenger The Ottomites, reverend and gracious, Steering with due course towards the isle of Rhodes, Have there injointed them with an after fleet. First Senator Ay, so I thought. How many, as you guess? Messenger Of thirty sail and now they do restem Their backward course, bearing with frank appearance Their purposes toward Cyprus. Signior Montano, Your trusty and most valiant servitor, With his free duty recommends you thus, And prays you to believe him. Dialogue in Madeleine L'Engel's A Wrinkle in Time From the classic children's book A Wrinkle in Time, here's a good example of dialogue that uses a description of a character's tone of voice instead of using unconventional verbiage to tag the line of dialogue. In other words, L'Engel doesn't follow Calvin's line of dialogue with a distracting tag like "Calvin barked." Rather, she simply states that his voice was unnaturally loud. "I'm different, and I like being different." Calvin's voice was unnaturally loud. "Maybe I don't like being different," Meg said, "but I don't want to be like everybody else, either." It's also worth noting that this dialogue helps characterize Calvin as a misfit who embraces his difference from others, and Meg as someone who is concerned with fitting in. Dialogue in A Visit From the Good Squad This passage from Jennifer Egan's A Visit From the Good Squad doesn't use dialogue tags at all. In this exchange between Alex and the unnamed woman, it's always clear who's speaking even though most of the lines of dialogue are not explicitly attributed to a speaker using tags like "he said." Alex turns to the woman. “Where did this happen?” “In the ladies’ room. I think.” “Who else was there?” “No one.” “It was empty?” “There might have been someone, but I didn’t see her.” Alex swung around to Sasha. “You were just in the bathroom,” he said. “Did you see anyone?” Elsewhere in the book, Egan peppers her dialogue with colloquialisms and slang to help with characterization. Here, the washed-up, alcoholic rock star Bosco says "I want interviews, features, you name it," Bosco went on. "Fill up my life with that shit. Let's document every fucking humiliation. This is reality, right? You don't look good anymore twenty years later, especially when you've had half your guts removed. Time's a goon, right? Isn't that the expression?" In this passage, Bosco's speech is littered with colloquialisms, including profanity and his use of the word "guts" to describe his liver, establishing him as a character with a unique way of speaking. Dialogue in Plato's Meno The following passage is excerpted from a dialogue by Plato titled Meno. This text is one of the more well-known Socratic dialogues. The two characters speaking are Socrates abbreviated, "Soc." and Meno abbreviated, "Men.". They're exploring the subject of virtue together. Soc. Now, if there be any sort-of good which is distinct from knowledge, virtue may be that good; but if knowledge embraces all good, then we shall be right in think in that virtue is knowledge? Men. True. Soc. And virtue makes us good? Men. Yes. Soc. And if we are good, then we are profitable; for all good things are profitable? Men. Yes. Soc. Then virtue is profitable? Men. That is the only inference. Indirect Dialogue in Tim O'Brien's The Things They Carried This passage from O'Brien's The Things They Carried exemplifies the use of indirect dialogue to summarize a conversation. Here, the third-person narrator tells how Kiowa recounts the death of a soldier named Ted Lavender. Notice how the summary of the dialogue is interwoven with the rest of the narrative. They marched until dusk, then dug their holes, and that night Kiowa kept explaining how you had to be there, how fast it was, how the poor guy just dropped like so much concrete. Boom-down, he said. Like cement. O'Brien takes liberties in his use of quotation marks and dialogue tags, making it difficult at times to distinguish between the voices of different speakers and the voice of the narrator. In the following passage, for instance, it's unclear who is the speaker of the final sentence The cheekbone was gone. Oh shit, Rat Kiley said, the guy's dead. The guy's dead, he kept saying, which seemed profound—the guy's dead. I mean really. Why Do Writers Use Dialogue in Literature? Most writers use dialogue simply because there is more than one character in their story, and dialogue is a major part of how the plot progresses and characters interact. But in addition to the fact that dialogue is virtually a necessary component of fiction, theater, and film, writers use dialogue in their work because It aids in characterization, helping to flesh out the various characters and make them feel lifelike and individual. It is a useful tool of exposition, since it can help convey key information abut the world of the story and its characters. It moves the plot along. Whether it takes the form of an argument, an admission of love, or the delivery of an important piece of news, the information conveyed through dialogue is often essential not only to readers' understanding of what's going on, but to generating the action that furthers the story's plot line. Other Helpful Dialogue Resources The Wikipedia Page on Dialogue A bare-bones explanation of dialogue in writing, with one or two examples. The Dictionary Definition of Dialogue A basic definition, with a bit on the etymology of the word it comes from the Greek meaning "through discourse." Cinefix's video with their take on the 14 best dialogues of all time A smart overview of what dialogue can accomplish in film. 1 Overview Wireless communication is playing an increasingly significant role across many sectors of the economy, delivering our news, connecting us to friends and family, automating factories, supporting
Key events3 Jun 2023A summary of today's developments3 Jun 2023Prigozhin says Kremlin faction 'destroying the Russian state'3 Jun 2023Moscow ally Kyrgyzstan says it is ready to work with EU3 Jun 2023Ukraine's counteroffensive will be 'very impressive' - Gen Petraeus3 Jun 2023Ukraine's counteroffensive remains on track, deputy defence minister says3 Jun 2023Zelenskiy says Ukraine ready to launch counteroffensive – report3 Jun 2023Russian army may struggle in Bakhmut compared with Wagner, UK MoD suggests3 Jun 2023Opening summaryShow key events onlyPlease turn on JavaScript to use this featureMoscow ally Kyrgyzstan says it is ready to work with EUKyrgyzstan’s president said on Saturday that the ex-Soviet republic was ready to work with the Sadyr Japarov, whose country is an ally of Moscow, said Kyrgyzstan is ready to work hand in hand with the European Union to resolve shared problems, encourage dialogue and find lasting solutions. The EU hopes to tighten ties with a region Russia sees as its sphere of was speaking during a meeting with EU Council president, Charles on Friday took part in a summit attended by the leaders of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and high-profile gathering in the resort of Cholpon-Ata on the shores of Lake Issyk-Kul was the second summit between the former Soviet republics of Central Asia and the EU, the top donor to the region and its main investment partner.“We offer a sincere partnership” to the region’s five former Soviet republics, Michel told Agence France-Presse in an interview president of the European Council, Charles Michel left, shakes hands with the president of Kyrgyzstan, Sadyr Japarov, during his visit to Kyrgyzstan. Photograph Xinhua/ShutterstockTwo people were killed and two injured by Ukrainian artillery fire on Russia’s Belgorod region, Governor Vyacheslav Gladkov said, Reuters Kremlin said on Saturday that journalists from unfriendly countries’ would not get accreditation for the St Petersburg International Economic Forum, Tass was told by the organisers of the forum on Friday that accreditation to the forum had been cancelled after receiving an earlier confirmation of accreditation on head of Russia’s Wagner mercenary group said Saturday that he was ready to send fighters to the Russian Belgorod region, which borders Ukraine and has come under intense reports that Yevgeny Prigozhin said on Telegram If the defence ministry, in the near future, does not stop what is happening in the Belgorod region 
 then of course we will come to defend Russian land. The civilian population is dying in Belgorod. He added he would not wait for an “invitation” to deploy his fighters comes after Ukrainian-backed Russian rebel groups have said they are still fighting inside Russia’s Belgorod governor, Vyacheslav Gladkov, said that the region had been hit by 500 attacks on Friday - including artillery and rocket said five people had died in the shelling. The town of Shebekino has been most affected, with hundreds of its residents SabbaghUkraine’s president has declared his country’s military is ready to launch a long-awaited counteroffensive and hinted at concern about the possibility of Donald Trump retaking the White Zelenskiy, giving an interview to the Wall Street Journal, suggested that a significant attack could come soon and said he hoped a change in the US presidency would not impact military aid to Kyiv.“We strongly believe that we will succeed,” Zelenskiy told the Rupert Murdoch-owned newspaper, although he acknowledged he did not know how long the counteroffensive would take or how well it would more We will succeed’ Zelenskiy says Ukraine ready to launch counteroffensiveA peace plan to end the war in Ukraine proposed by Indonesian defence minister, Prabowo Subianto, see post has been dismissed by called on defence and military officials from around the world, gathered at the Shangri-La Dialogue defence meeting in Singapore, to issue a declaration calling for a cessation in Ukraine’s foreign ministry spokesperson, Oleg Nikolenko, said Russia had committed the act of aggression, occupying Ukrainian territories, and any proposals for a ceasefire would allow it to regroup and reinforce, Reuters said There are no disputed territories between Ukraine and the Russian Federation to hold referendums there,” he said. In the occupied territories, the Russian army commits war crimes, crimes against humanity and genocide. Russia is now trying in every possible way to disrupt the Ukrainian counteroffensive. Here are some images coming to us over the hand out food to residents at a school on the outskirts of Kharkiv oblast, on 2 June. Photograph Anadolu Agency/Getty ImagesUkraine’s deputy minister of defence, Volodymyr Havrylov, speaks during an interview with Reuters in Singapore. Photograph Caroline Chia/ReutersPresident of Ukraine, Volodymyr Zelenskiy meets Estonian president, Alar Karis, Kyiv, on 2 June. Photograph APAImages/ShutterstockAs the world celebrated international children’s day this week, Ukrainians in Sydney and their supporters took part in the worldwide campaign dedicated to the issue of killing, kidnapping and deportation of Ukrainian children by Russia. Protesters bought toys to hold during the rally. Photograph Richard Milnes/ShutterstockRussia will come back to full compliance with the New Start treaty if Washington abandons its “hostile stance” towards Moscow, Russian news agencies reported, citing deputy foreign minister, Sergei United States said earlier this week that it would stop providing Russia with some notifications required under the arms control treaty, including updates on its missile and launcher locations, to retaliate for Moscow’s “ongoing violations” of the accord, Reuters to Ryabkov, the move did not come as a surprise to Moscow, and Russia’s decision to suspend the New Start treaty stands despite any Tass news agency quoted him as saying Regardless of any measures or countermeasures from the US side, our decision to suspend the Start treaty is unshakable. And our own condition for returning to a fully operational treaty is for the US to abandon its fundamentally hostile stance toward Russia. Russian deputy foreign minister, Sergei Ryabkov. Photograph Maxim Shemetov/ReutersPetraeus also said that Ukrainians are determined “to liberate” all of its territory Well, there are quite categorical that winning for them is liberating all their territory. There’s no hedging on that. There are no discussions behind closed doors that oh look, we could give this up or give that up. They are determined to liberate their country. And again, to win the war and then win the peace. And of course, there will need to be some kind of, I think, some kind of negotiated resolution. We certainly don’t ever want to see another frozen conflict with new frontlines. And there’s a lot of pressure on Russia. Petraeus also said Putin could “hang on” in power once the war with Ukraine is over. He has still total control. Certainly, there’s some criticism of the ministry of defence, defence minister Shoigu, the chief of the general staff Gen Gerasimov and so forth, that’s allowable. No one criticises Putin or not generally, there has been some somewhat indirect by Prigozhin, by a few others. I think he probably could hang on to that power. And what we have to watch for are any indicators that the inconceivable, the toppling of Putin, could all of a sudden, seem very possible.
InterculturalDialogue can take many forms that are constantly evolving. They can be verbal or non-verbal, in-person or virtual, between two or more people, or between groups. They include intergroup dialogues, participation in cultural events or concerts, formal and informal education, structured mediation and debate, and interactive workshops.
16+ Mudah Where Does The Dialogue Occur Terupdate. Good morning, are you today? Dialogue is the exchange of spoken words between two or more characters in a book, play, or other written work. In prose writing, lines of dialogue are. This publication is a useful practical reference, covering conflict analysis, a concept of dialogue and specifics of organising and running dialogue meetings,. A dialogue is a literary technique in which writers employ two or more characters to be engaged in conversation with one Dialogue May Occur Over Multiple Hours On A Single Day, Or It May Unfold As A Series Of Conversations That Take Place Over Several Weeks Or Months—Although The Duration Of Morning, Are You Today?A Dialogue Is A Literary Technique In Which Writers Employ Two Or More Characters To Be Engaged In Conversation With One One Golden Rule We Like To Use About Dialogue Is The Responder Should Always Link Directly To What Dialogue To Occur, Two Or More Characters Must Talk With One Another dari 16+ Mudah Where Does The Dialogue Occur Terupdate. Dialogue refers to written conversations between characters in novels, short stories and scripts. When this does not happen, we encounter a dialogue block. Next, small group discussion and reflection is used to link dialogue to past experiences of “real communication” see “role of the facilitator A dialogue is a literary technique in which writers employ two or more characters to be engaged in conversation with one another. A dialogue is a literary technique in which writers employ two or more characters to be engaged in conversation with one another. Good morning, are fine. a dialogue is essentially a conversation between equals’ bohm et. The One Golden Rule We Like To Use About Dialogue Is The Responder Should Always Link Directly To What Preceded. When this does not happen, we encounter a dialogue block. For Dialogue To Occur, Two Or More Characters Must Talk With One Another To. A dialogue may take five. A dialogue is a literary technique in which writers employ two or more characters to be engaged in conversation with one another. Dialogue Engage in dialogues and debates with people with opposite views. For this, change needs to happen at an individual level and needs to be done with empathy and compassion. Government Support. It is their role as our voted officials to ensure that gender equality becomes a reality.

ï»ż0000THE EURASIA GROUP RESEARCH FELLOW FROM WASHINGTON. THANKS SO MUCH FOR JOINING US. ASIDE FROM THE HANDSHAKE, CAN YOU RECALL THERE EVER BEING A LOWER AB IN CHINA RELATIONS? > > THANK YOU FOR HAVING ME. I THINK THIS IS ALMOST AN IMPROVEMENT ON WHERE WE WERE IN AUGUST OF LAST YEAR WHEN NANCY PELOSI VISITED TAIWAN. THERE IS A LOT HAPPENING BEHIND THE SCENES OBVIOUSLY BEHIND THE HANDSHAKE. THE CHINESE DEFENSE MINISTER HAS BEEN SHA SANCTIONED BY THE UNITED STATES SINCE 2018. THE HANDSHAKE REFLECTS CHINA'S UNWILLINGNESS TO TALK TO THE UNITED STATES WHEN ONE OF THE HIGH-RANKING OFFICIALS IS STILL BEING SANCTIONED. PAUL WE DID HAVE A NUMBER OF INCIDENTS IN THE SOUTH CHINA SEA OVER THE PAST FEW DAYS AND WEEKS BUT NOTABLY OVER THE WEEKEND THE CLOSE PATHS BETWEEN A CHINESE WARSHIP. HOW GREAT IS THE RISK OF ESCALATION AND THERE ARE - AND ARE THERE ADEQUATE GUARD RAILS IN PLACE? > > IT IS NOTABLE IT WAS NOT JUST THE UNITED STATES THERE WAS A CANADIAN SHIP TRANSITING WITH UNITED STATES. I DO NOT THINK THIS IS THE FIRST TIME THIS HAS HAPPENED AND WHEN YOU LOOK AT WHAT YOU MIGHT CALL SOME AIRBORNE SHENANIGANS THAT HAVE BEEN GOING ON FOR SOME YEARS, THESE TYPE OF CLOSE PASSES BY CHINESE MILITARY AIRCRAFT AND VESSELS HAVE BEEN PART OF THE ONGOING TENSIONS IN THE REGION. IN TERMS OF GUARD RAILS, I THINK MORE DIALOGUE BETWEEN HIGH-RANKING DEFENSE OFFICIALS IS VITAL. WE HEARD THIS FROM SOME OF THE DEFENSE MINISTERS PARTICULARLY THE SINGAPOREAN DEFENSE MINISTER WHO SAID MORE COMMUNICATION NEEDS TO BE PART OF A SOLUTION TO THE TENSIONS IN THE REGION. BEYOND MORE COMMUNICATION IT IS HARD TO IMAGINE HOW THINGS LIKE THIS CAN BE RESOLVED QUICKLY OR PREVENT THEM FROM ESCALATING INTO MORE INTENSE SITUATIONS. SHERY YOU SAID THERE WAS A LOT HAPPENING BEHIND THE SCENES. WE HAVE HEARD THE CIA DIRECTOR WENT TO BEIJING LAST MONTH. NO ABOUT THE CLIMATE COOPERATIONS. I DO WONDER HOW MUCH DOES THIS HELP AND IS THIS ENOUGH WHEN YOU HAVE AREAS OF HIGH TENSIONS LIKE THE TAIWAN STRAIT? > > THIS IS NOT ENOUGH CERTAINLY. THIS IS THE BEGINNING OF A THAW. IT IS NOT JUST THE CIA JAKE SULLIVAN NATIONAL SECURITY ADVISOR MET WITH HIS CHINESE COUNTERPART IN VALIANT - IN VIENNA SOME WEEKS AGO. JANET YELLEN HAS MET WITH A COUNTERPART. I THINK THERE IS THE PERSPECTIVE OF XI JINPING AND PRESIDENT BIDEN MEETING IN SAN FRANCISCO THIS YEAR AT THE APEC SUMMIT AND THE G20 IN INDIA. THIS IS NOT ENOUGH. I'M NOT SURE IF THERE EVER COULD BE ENOUGH WHEN TWO OF THE GREAT POWERS OF THE WORLD ARE IN THIS ESCALATORY SPIRAL BUT YOU NEED TO TAKE BABY STEPS TO RESTORE TRUST AND BUILD CONFIDENCE AND I THINK BEING AT THE SHANGRI-LA DIALOGUE AND ALLOWING FOR OTHER FORMS OF DIALOGUE TO OCCUR THERE AND IN PARALLEL IS A STEP IN THE RIGHT DIRECTION TO AVOIDING ANY CONFLAGRATION. BOTH PARTIES KNOW THAT ANY TYPE OF CONFLICT WOULD BE DEVASTATING FOR EVERYONE. CHINA AND UNITED STATES AND EVERYONE IN THE REGION. NOBODY WANTS THAT. SHERY WE HEARD EARLIER FROM RICHARD MARS, THE DEFENSE SECRETARY IN AUSTRALIA. HOW MUCH CAN THESE MIDDLE POWERS INCLUDING NOT JUST AUSTRALIA BUT INDIA AS WELL DO IN HELPING TO THAW THE RELATIONSHIP BETWEEN THE AND CHINA? > > I THINK WAY BIT. YOU MENTION INDIA AND AUSTRALIA. I WOULD OFFER JAPAN MIGHT BE THE KEY OR THE LINCHPIN IN THE REGION. JAPAN IS OBVIOUSLY AN AMERICAN ALLY SINCE AFTER WORLD WAR II. IT IS ALSO A MASSIVE TRADING PARTNER WITH CHINA. COUNTRIES LIKE JAPAN, AUSTRALIA, THEY HAVE THESE MILITARY RELATIONSHIPS AND ECONOMIC RELATIONSHIPS WITH THE UNITED STATES BUT THEY ALSO DEPEND HEAVILY ON CHINA FOR TRADE, EXPORT AND IMPORT. IT IS GOING TO BE VITAL FOR COUNTRIES LIKE JAPAN TO PLAY A MAJOR ROLE AND WHEN YOU THINK OF THE INDO PACIFIC AND THAT TERM IT IS ABOUT INCLUDING INDIA AS A GROWING POWER. INDIA IS BEGINNING TO EXERT MORE INFLUENCE AND HAS TO EXERT MORE INFLUENCE. IT IS SOON GOING TO BE THE MOST POPULOUS COUNTRY ON EARTH. THE MIDDLE POWERS AND REGIONAL PLAYERS HAVE TO HAVE AGENCY AND LEAD OF THE CONVERSATION ABOUT THE ESCALATING TENSIONS BECAUSE THEY ARE THE ONES THAT WILL SUFFER THE BRUNT OF CONSEQUENCES SHOULD TENSIONS CONTINUE TO SOUR OR A CONFLICT OCCUR. SHERY THE THING ABOUT ASIA IS THERE ARE SO MANY HISTORICAL ISSUES, TERRITORIAL ISSUES. YOU MENTION JAPAN AND WE HAVE THIS ONGOING SPAT WITH SOUTH KOREA. THAT SEEMS TO HAVE IMPROVED BUT HOW MUCH WILL THESE LINGERING CHALLENGES MAKE IT MORE DIFFICULT TO SHOW A UNITED FRONT? > > I THINK THE THAWING IN RELATIONS BETWEEN SOUTH KOREA AND JAPAN IS INDICATIVE OF WHERE THE REGION IS HEADED. EVERYONE IS AWARE, LEADERS ARE AWARE CHINA IS GROWING. CHINA IS EXERTING MORE INFLUENCE. CHINA IS BUILDING ITS MILITARY. THEY HAVE NOW KIND OF A REASON TO ADDRESS POTENTIALLY SMALLER PROBLEMS THAT HAVE BEEN GOING ON FOR A LONG TIME TO KIND OF GET TO A MORE SUSTAINABLE AND PRODUCTIVE REGIONAL BALANCE. ONE OF THE THINGS I THINK ASIAN COUNTRIES, SINGAPORE IN PARTICULAR HAVE BEEN CLEAR ABOUT IS THE ECONOMICS OF THE REGION ARE VITAL. THE AEGEAN - THE FIJI MINISTER SAID GREEN BATTALIONS ARE NOT ACTUALLY THE THREAT TO THEM. IT IS ACTUALLY CLAIMANT CHANGE. - CLIMATE CHANGE. THERE ARE NUMBER OF THREATS PUSHING THESE COUNTRIES TOGETHER ON KIND OF COLLECTIVE ISSUES. I THINK AS THESE COLLECTIVE ISSUES START AMELIORATING WHAT POLITICAL SCIENTISTS CALL THE COLLECTIVE ACTION PROBLEM OR THE UNWILLINGNESS OF COUNTRIES TO WORK TOGETHER TO BEAR THE COST OF WORKING TOGETHER THEStream Schedule BTV+No schedule data available.

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